| COMPOSER
BIO
Mark Thomas Taylor is a composer known for creating emotionally resonant scores that blend acoustic performance with contemporary sound design. Drawing on a deep background as a contemporary French Hornist, Mark crafts music that feels both grounded and cinematic — balancing traditional orchestration with ambient textures and electronic elements. His work continues to evolve through a commitment to storytelling through sound.
A protégé of the legendary composer and percussionist Max Roach, Mark’s career was enhanced through his work as an in-demand French Hornist with such extraordinary composers as Anthony Braxton, Henry Threadgill and Muhal Richard Abrams, being one of the few musicians to have successfully integrated the notoriously difficult instrument into the landscape of jazz and improvised music. When he was unfortunately stricken with Embouchure Dystonia, bringing his performing career to a halt, composing became Mark’s primary pursuit.
Mark composed, performed and recorded the score for Last Days of Coney Island (2015), a film by famed animator/director Ralph Bakshi; and has collaborated with writer/director Rolando Herrera on the award-winning films You’re Never Alone (2021), Colton’s Quest (2023) and Sinnamon Claus (2022) for Scrawny Strange Productions. Mark also composes, performs and produces music in his own studio for sync licensing through boutique agencies in NYC, LA and the UK.
Mark’s concert work includes a stint as Composer-in-Residence for the Bard College Contemporary Jazz Composer’s Ensemble, Room To Breathe (2021), commissioned by the Oregon Wind Quintet, and It’s Not Like He’s Never Been There Before (2013), a multi-movement orchestral work, commissioned by Anthony Braxton’s Tri-Centric Foundation.
Taylor studied at the New England Conservatory of Music in Boston and has been a participant in the NYU Steinhardt Screen Scoring Workshop, the BMI Scoring for the Screen Mentorship Program and is a member of the Society for Composers and Lyricists. Mark’s work has received recognition from the Banff Centre for Arts & Creativity and the Djerassi Resident Artist Program where he was awarded the Gerald Oshita Memorial Fellowship.
LISTEN
New Music from the Taylorverse
Commissions, Recordings & Media Music
WATCH
Videos and Such
Films, Performances, YouTube & Other Cool Stuff
A Possible Theme for Sylvia Landry
A character theme sketch for the Oscar Micheaux movie "Within Our Gates" composed during a residency at the Banff Centre in 2019. The recording is from the performance we did on one of the weekly concerts during my stay there.
I'll never get over how much fun it is to have such wonderful musicians play something I wrote!
The purpose of the original piece was to get a sense of a theme that could represent the protagonist, Sylvia Landry, and her story.
Blood Reckoning - Short (Horror)
A U.S. Marshall tracks down a fugitive serial killer before they murder again.
Score Relief 2021 | "Spring"
Papreeka Claus (2023 Holiday Short Film)
#scorerelief2021 is a film scoring contest created by The Cue Tube in collaboration with the Backup Hardship Fund to raise money in support of technical workers from entertainment/events, and their families, who're experiencing covid-related difficulties.
Animation "Spring" courtesy of the #Blender Foundation: https://www.blender.org/foundation/
Papreeka Claus, one of Santa's daughters, makes her fantastic hot chocolate for a Christmas grump. No tamales were set on fire for the making of this film...
LAST DAYS OF CONEY ISLAND
a film by Ralph Bakshi.
"In the cheap glitter and glow of a fading Coney Island a group of characters live out their sordid, strange lives trying to get somewhere fast - any way they can. Desperately trying to love and be loved."
Peppament Claus (Holiday Short Film)
Peppament, one of Santa's daughters (she's the bad one!), gets caught stealing gifts from a girl's home on Christmas Eve.
Drown
A girl receives strange video messages of herself drowning.
MusicMovie #2 - Naked Ambition
So today I'm talking a little about writing to a brief and True Crime TV shows. It's pretty common in commercial music and is a way to let the composer know what kinds of music they're looking for. The fun part is you can get some very interesting genre mashups this way. Today's genre is... Appalachian Tension!
PROJECTS
Bands, Ensembles and Special Projects
SECRET IDENTITY
Left-of-Center Creative Improvised Music
Created to explore concepts of drama and narrative in improvisational music, Secret Identity dissects and deconstructs Taylor’s often knotty compositions reconstructing them into ever shifting combinations of melody, harmony, rhythm and improvisation
VIEW FROM THE BALCONY
Jazz-influenced New Chamber Ensemble
View From the Balcony, a jazz-informed chamber ensemble, was formed in early 2018 to focus primarily upon Mark Taylor’s genre-spanning music. Comprised primarily of musicians with whom Mark performed for years in the ensembles of such extraordinary contemporary composers as Anthony Braxton, Henry Threadgill, Wadada Leo Smith and Muhal Richard Abrams., VFtB will also be the core ensemble for Interrobang Arts’ new program of creating new scores for silent Black films.
SECRET VIEW(S)
A New Chamber / Creative Improvisation Ensemble,
Secret View(s) combines the improvisational energy of Secret Identity with the creative artistry of the members of View From the Balcony
EDUCATIONAL OUTREACH
Clinics, Masterclasses, Commissions
MASTERCLASSES / LECTURES
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Reinvention of the Artistic Self
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What I Do is not Who I Am - It is all too easy to conflate our identity with the activity that means the most to us. It is important to know who we are as creative individuals beyond the one specific expression of our creative selves we choose to put into the world.
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My experience with Focal Dystonia - How this long-gestating neurological disorder slowly stripped away my ability to play the Horn, which precipitated a multi year crisis of identity and self-worth and also began a continuing search for the authentic Artist / Creative Being behind the Hornist / Composer / Improviser I used to be.
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Keep Fighting or Move On - When the cornerstone of identity is compromised or taken away, how do we know WHEN the fight to return to our previous self has run it’s course. How do we know to move forward into whatever is next?
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Composition - Having composed for many ensembles ranging from small jazz groups, chamber ensembles, big bands and symphony orchestra to music for films and production music libraries, Mark Taylor’s Master Class in Composition focuses upon the development of compositional techniques based upon applied music theory and a broad and varied base of influences. Mr. Taylor will also work with the students in identifying the particular tonal aspects and ranges of potential instrumentation, as well as incorporating various elements of arranging and orchestration.
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Horn - Mark Taylor is one of the few players to have fully integrated the notoriously difficult French Horn into the fast-moving landscape of jazz and contemporary improvised music. The Masterclass in Jazz and Contemporary Horn playing focuses on the development of skills necessary for a Hornist to thrive in a contemporary jazz setting: chord / scale relationships, motivic and melodic improvisation, adapting and developing effective improvisational vocabulary, ensemble playing and creating a personal sound concept.
PRIVATE LESSONS
a recognized virtuoso on the French Horn, Mark Taylor’s one-on-one teaching includes proper warm ups, flexibility, scales and etudes, range building, repertoire development and improvisation.
PERFORMANCE BASED ACTIVITIES
Performance based activities are all offered in conjunction with concert performances by Mark Taylor. These performances can include Mr. Taylor’s own ensembles or can feature faculty and student musicians under his direction. All presentations include elements of student participation.
Ensembles will receive three pieces of music four weeks prior to the residency. The professor will work with the students to generally develop the pieces, and selecting the individual personnel for each piece. Mr. Taylor will then work with the student groups to add his own input and conception for the final presentation.
Original Mark Taylor music performed by school large ensemble / big band
SECRET IDENTITY (new jazz-based creative improv quintet)
VIEW FROM THE BALCONY (chamber ensemble)
SECRET VIEW(S) (combined chamber and creative improv ensemble)